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Luciano Petullà

systems and dimensions of new communication

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phone

When phone meets the edges of world

Luciano Petullà · December 13, 2008

ICTs adoption in emerging societies and its social, cultural and economical impacts Years passed since we reasoned about possibilities to arrange a peculiar field of study for the telephone. Meantime, it has been written very much on topic, and many scholars added the group, focusing both general aspects and specific ones with essays that did not quite neglect anything, and the “quite” saves us from any next surprise. In effect, if we would find an analogy to describe some phenomenon related to new media, and we want to be understood, we do never remain delude focusing on …

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The gramophone, the world wide web and the recording systems

Luciano Petullà · May 25, 2008

gramophone

The history of media and the listening of time On March 2008, at the annual conference of the Association for Recorded Sound Collections at Stanford University in Palo Alto, Calif., it has been presented the first audio recording of human history. The news is that 10-second song was recorded on April the 9th of 1860 by Édouard-Léon Scott de Martinville, a Parisian typesetter. The Frenchman would have anticipated  Thomas Alva Edison, well-known as the first inventor of gramophone, recording “Au clair de la lune” 17 years before Edison received a patent for the …

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iPhone: logic and aesthetics of a multimedia telephone

Luciano Petullà · November 25, 2007

iphone

Introduction American company Apple, producer of computers and personal devices – among others, the famous mp3-player iPod – has entered into mobile business with a video cell phone that has been presented and hailed worldwide with a great emphasis. In this paper we’ll take iPhone as a fresh case study to update some paths used to study video cell phone (Borrelli, Petullà 2007). It is a phenomenon particularly suited because of its success, that can be understood only at the light of a context including the logic of its technical development and aesthetical aspects, and so …

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